It’s also possible to switch in and out of event-based editing, but saving in WAV format discards the event boundaries.ĭespite its conceptual awkwardness, event-based editing has numerous practical benefits. Here, it turns Sound Forge into an odd hybrid of destructive and non-destructive editor: events can be trimmed and faded non-destructively, but applying effects and other processes remains destructive.
Initially, a file comprises a single block, but cutting and pasting adds more, and blocks can be split in two with a key command.Įvents behave in a similar way to audio objects in the Sony Vegas family of video editors.
When activated, an audio file ceases to be manipulated as a continuous stream, but instead is presented as blocks of audio. It has been 28 months since Sound Forge 9 was released, and with a high upgrade price it’s fair to expect some significant new features. Typical uses include creating samples for use in sampler MIDI instruments, designing sound effects for video production and mastering finished mixes prior to distribution. It specialises in preparing files for use in other applications, editing and saving them directly rather than layering and exporting as multitrack software does. Sound Forge is a dependable workhorse for music and video producers, handling destructive audio-editing tasks in a refreshingly straightforward manner.
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